If you are a good photographer and make beautiful photos in your free time that is probably, your colleagues at work have already seen your photos. I think that you share your photos in Instagram, Facebook and other social networks. If your colleagues know about your beautiful photos probably, your boss also knows about your beautiful photos.
To climb the career you would like to tell your boss about the photo. However, this is the most important thing. To tell or even teach to take pictures, you need to waste your time. In addition, the photographer often has very little time. For this, I prepared this article for you. Just show the article to your boss and go about your business.
In order to learn how to photograph, you will need to learn some details. These details you will find here.
The Point Of Photo Shooting and Its Expressive Possibilities
After reading the user manual of the camera, you probably already are ready to go to the practice of photographing. You have chosen the photo object of interest – landscape, architectural ensemble, genre scene or other. What questions does the photographer face when he starts photographing? First, the question arises as to where, in which place the camera should be installed, from where to show the object to the viewer.
That is, you need to learn as much as possible about the point of shooting. With which the picture will look beautiful.In selecting the point of shooting, you need the photographic image to show the viewer the object photo shot truthfully and expressively.
The impression that the picture takes on the viewer must correspond to the impression that the object shot made on the photographer. It is also necessary that it is clear what exactly attracted the attention of the photographer, because of what and for what purpose this photograph taken.
It is important that the viewer easily recognizes the subject in the photograph, in other words, in order for the image to correspond to the original, it correctly reproduces it. The image of a person in a portrait photograph should be similar to the original. This image should convey the external features of a person and express his character.
If you take a photo of the landscape, then the landscape image must expressly convey the breadth of fields, and the dusk of the forest. In the landscape photo, sky must photograph with light clouds floating on it. If you make reportage, then it must saturate with action, movement and so on.
However, obtaining only the external similarity of the photo image and the object photo shot is still small. Achieving external similarity is a necessary condition for creating a good picture, but it does not yet provide an interesting and artistic photo.
It is necessary that the photo was vital and that it was truthful. It also has to be expressive. You must convincingly convey the whole essence of the event. Photography must carry the character of the person photographed. Also in the photo, you should feel the mood of the landscape.
If this is a landscape photo and if this is an architectural photograph, then it is necessary to convey the features of the architectural forms of the reproduced building and so on. These features can express and emphasized in picture with the appropriate selection of the photo shooting point.
Suppose that the photographer needs to make photography a new street of the city, just built up with excellent buildings, planted with trees and so on. If the survey of such an object conducted from one side of the street to the opposite one, then the building standing directly in front of the camera essentially covers the entire field of view of the lens.
Thus, in the viewfinder of the device we see only a separate building with all its architectural details, but not the street, as desired at first.
Try changing the direction of shooting. To aim the camera lens in the depths of the street you will see in the viewfinder the rows of buildings on the right and left, going into the depths of the line. That is, you will see the perspective of the street, which should have done to reach of the goal. So changing the direction of photo shooting, we achieve another visual result.
If shooting taken from too big a distance, the viewing angle of the camera lens takes up considerable space. Then the frame also contains parts that you do not need. Try to move closer to the target. The lens now covers much less space, and in the picture in the foreground, we see a large image. Thus, by approaching the shooting point to the main image object, we can achieve the necessary emphasis on the main thing.
These tasks can be solved and changing the camera lens to another. The industry is now releasing lenses for a photo camera with different focal lengths and you can easily bring or close the object of interest to you. In this case, if you use a zoom lens with a zoom function but the lenses with zoom are also different.
The essence of this article is to explain the point of shooting. The same standards can use and photographed with zoom lenses.
If you have a good photo camera, then during post-processing of the photo, you can zoom in and cut out the part of the picture that interests you. Thus, when cropping, you can fix what you was not able to do with photographic shooting but that is another topic.
As was understood, the use of expressive possibilities of the point of shooting can help solve the visual problems facing the photographer.
Selecting a Direction of Photo Shooting
Very often, a novice amateur, removing a building, a sculpture, a group of people and other objects, installs the camera directly against the object photo shot. Such a decision dictated, apparently, by the desire to take the photo shot to the central place in the frame.
The photographer seeks to fill the entire field of view of the lens with only the material of interest to the photographer and leave behind the frame everything else. However, in some cases, such an arrangement of the subject in the photograph results in a simplified display of the photographed object.
The rich pictorial possibilities of photography here, therefore, remain unused and, in essence, replaced by simple copying of the photographed object. The pictures are obtained by protocol, boring and uninteresting. Such photos are more reproductions of objects of photo shooting, than their expressive and creative image.
Such photographs also needed but in these cases, photography has only applied value and an independent field of creativity does not appear here. However, does this mean that the photographer should generally avoid the central points of shooting and frontal compositions? This is not true. A frontal composition may be desirable when shooting an object with symmetrically arranged parts.
If the visual solution of the picture aims to emphasize this feature of the object, being photographed the front composition of the frame leads to the absence of a general compositional orientation in the image. In addition, the frontal composition of the frame leads to the equivalence of all parts of the picture. All photo shooting objects are distributed evenly over the entire area of the picture.
In these cases, the composition does not sing out in the photograph of one of its parts as the main one. The photography does not accent the viewer’s attention on any one important element of the composition and the lateral photo shooting points make it possible to get images in which you can feel the volume of the picture. The composition of the frame at the lateral points deprived of its primitiveness.
The correct direction of sunlight also contributes to the expression of architectural photos. Therefore, it is necessary to correct not only the place, but also the time of shooting.
Here are a few things that your boss will definitely want to know, that you understand how you make your good photos.
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